Yves degryse

BERLIN/Yves Degryse

BERLIN was founded in by artistic director Yves Degryse together with Bart Baele and Caroline Rochlitz. Alongside Barbara Raes and Melih Gençboyacı, Yves Degryse is now one . BERLIN was founded in Antwerp, Belgium, in by artistic director Yves Degryse , together with Bart Baele and Caroline Rochlitz. They decided not to pin themselves down on one particular genre, but to venture into the documentary realm and let the site where each foray took them guide their inspiration. The starting point of each performance by BERLIN is located in a city or a region somewhere on the planet. A characteristic feature of its approach is its documentary and interdisciplinary work methods. Focusing on a specific research question, it engages different media depending on the content of the project. In , BERLIN started the series Holocene with the performances Jerusalem , Iqaluit , Bonanza , Moscow and Zvizdal. The making of Berlin was the final instalment in the series. In , BERLIN received the Flemish Culture Prize for the Performing Arts, annually awarded by the Flemish Government to an organisation that makes a difference within the performing arts field. In the coming years, BERLIN will build on its current momentum and further make room for innovation by creating a space to support young makers and have associate artists realising projects within the company. In , Fien Leysen will kick off with ALABAMA , in it will be the turn of Emma Lesuis.

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Yves Degryse

Alongside projects by artistic director Yves Degryse, BERLIN is creating space for new makers working from a documentary perspective. In , Fien Leysen launched this initiative as the . The making of Berlin is a portrait of a city. The making of Berlin is the final part of the Holocene cycle, during which BERLIN made several portraits of cities over the past twenty years. BERLIN helps Mohr to realize an as yet unfulfilled dream. The performance would be broadcast live on German state radio. Rehearsing with the entire orchestra in one location soon proved too dangerous due to ongoing bombing. So the conductor divided the orchestra into seven segments and had them rehearse in separate bunkers. Faltering recording technology threw a spanner in the works. The Götterdämmerung will be played from seven bunkers simultaneously and can be heard in its entirety on the radio. Theatre- and film-maker Fien Leysen records the creation process for a behind-the-scenes documentary. Her footage eventually ends up in the performance as well.

• 📋BERLIN/Yves Degryse
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• 📋Yves Degryse

BERLIN wordt in opgericht door artistiek leider Yves Degryse, samen met Bart Baele en Caroline Rochlitz. Yves Degryse vormt vanaf oktober samen met Barbara Raes en Melih . Alongside projects by artistic director Yves Degryse, BERLIN is creating space for new makers working from a documentary perspective. In , Fien Leysen launched this initiative as the first associate artist with ALABAMA. In the fall of , Emma Lesuis will follow with a new project. Since he has been the sole artistic director of BERLIN, with The making of Berlin as his first creation. From to Degryse was also part of the theatre collective SKaGeN. He trained as an actor with Dora van der Groen and performed with several companies De Queeste, De Onderneming, De Maan, Comp. Besides his work in theatre, he can also regularly be seen on television and on the big screen Chantal , Callboys , De Helaasheid der Dingen , The Broken Circle Breakdown , etc. In , she created the theater performance Wie We Zijn Who We Are as a Young Maker with Het nieuwstedelijk. In February , she premiered the theater installation Numi Yaldati at KVS and DE SINGEL , which she created with scenographer Manu Siebens. Fien is further involved in a number of BERLIN productions and podcast creations.

The making of Berlin

Yves Degryse is een Vlaams acteur, maker en co-artistiek leider van NTGent. Hij was medeoprichter van het theatergezelschap BERLIN en werkte samen met Felix Van . Fiction and reality collide: to what extent can reality be manipulated when seeking a form of atonement? BERLIN was founded in by artistic director Yves Degryse together with Bart Baele and Caroline Rochlitz. BERLIN is joining in as house-maker. From the start on, BERLIN decided not to pin themselves down on one particular genre, but to venture into the documentary realm and let the site where each foray took them guide their inspiration. The starting point of each performance by BERLIN is located in a city or a region somewhere on the planet. A characteristic feature of its approach is its documentary and interdisciplinary work methods. Focusing on a specific research question, it engages different media depending on the content of the project. In , BERLIN started the series Holocene [the Holocene is the current geological era] with the performances Jerusalem, Iqaluit, Bonanza, Moscow and Zvizdal. The making of Berlin [] was the final instalment in the series. Zvizdal which will be brought to North America in , also has an impressive tour history with 16 different countries on the counter, and in the Summer of celebrated its th performance since its premiere in

BERLIN was founded in Antwerp, Belgium, in by artistic director Yves Degryse, together with Bart Baele and Caroline Rochlitz. They decided not to pin themselves down on one . .

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